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A woodcut showing the Emperor Maximilian in a triumphal chariot.
This large woodcut, over 2 metres in length, was originally planned as part of a huge printed frieze. The work, undertaken by a team of designers and woodblock cutters, was to show a triumph
Highlights from the print collection

An introduction to the print collection of the Royal Collection

CANALETTO (VENICE 1697-VENICE 1768)

‘The Bishop’s Tomb’

c.1740-45

RCIN 807803

It is unclear why Canaletto cut the plate into three sections, though presumably he decided that the largest portion was more successful than the original composition. This is a unique impression of the smallest part, and Windsor thus holds the only complete set of Canaletto's etchings. All were probably acquired by George III in 1762 as part of the collection of Canaletto's great patron, Consul Joseph Smith, along with 50 paintings and 150 drawings by the artist.


    The income from your ticket contributes directly to The Royal Collection Trust, a registered charity. The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.