Search results

Start typing

George III and Queen Charlotte

An important reconsideration of the role of George III and his role as one of the most wide-ranging, influential and far-sighted collectors and patrons of his day.

SIR ANTHONY VAN DYCK (1599-1641)

The Five Eldest Children of Charles I

Signed and dated 1637

RCIN 404405

Van Dyck’s masterful painting acknowledges both the youth and the status of its royal subjects, breaking with the earlier tradition of presenting royal children as miniature adults. The picture was commissioned by Charles I but left the Royal Collection twice, during the Commonwealth and under James II, before being repurchased by George III in 1765 and hung (by 1774) in the King’s Apartments at Buckingham House. The synthesis that Van Dyck achieved in the portrait was described by the nineteenth-century artist Sir David Wilkie: ‘the simplicity of inexperience shows them in most engaging contrast with the power of their rank and station, and like the infantas of Velasquez, unite all the demure stateliness of the court, with the perfect artlessness of childhood.

George III’s admiration for the early Stuarts and the aesthetic of Charles I’s court was reflected in this purchase and he hung many of his finest Van Dycks in Buckingham House. However, eighteenth-century attitudes towards childhood, which was increasingly regarded as a distinct, innocent phase of life, are reflected in many of the portraits of George III’s children.

George III’s taste for Van Dyck might have been sparked by that of his father, Frederick, Prince of Wales, who had a high regard for the collection of Charles I and had purchased Van Dyck’s double portrait of Thomas Killigrew and William, Lord Crofts, in 1748. Similarly, George IV’s interest in the later Stuarts, and his attempts to reclaim items associated with the exiled dynasty, may equally have been inspired by his father.

Signed and dated Antony van dyck Eques Fecit, / 1637

Catalogue entry adapted from George III & Queen Charlotte: Patronage, Collecting and Court Taste, London, 2004


    Page revisions

    • 14 March 2024

      Initial version


    The income from your ticket contributes directly to The Royal Collection Trust, a registered charity. The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.