Mobile menu
Artemisia Gentileschi (Rome 1593-Naples 1652)

Self-Portrait as the Allegory of Painting (La Pittura) c.1638-9

Oil on canvas | 98.6 x 75.2 cm (support, canvas/panel/str external) | RCIN 405551

Your share link is...


Artemisia Gentileschi is shown conceiving the idea for a painting – her brush poised ready to realise her vision on the empty canvas. Dressed in a dirtied apron and leaning on a grinding stone, she strains to observe her subject, sleeves pushed up to reveal muscular forearms. The gold chain around her neck – on which hangs a mask symbolising imitation – as well as her wild hair and iridescent dress, all correspond with the description of 'Pittura', the female personification of Painting. In conflating her own likeness with 'Pittura', Gentileschi creates a truly original image – and one unavailable to her male contemporaries.
  • Creator(s)

    Artemisia Gentileschi (Rome 1593-Naples 1652) (artist)

  • 98.6 x 75.2 cm (support, canvas/panel/str external)

    114.5 x 90.4 x 7.6 cm (frame, external)

  • Self-portrait as La Pittura

    Artemisia Gentileschi (1593-1652/3)

  • Recorded by the Trustees of the Sales of Charles I in October 1649, at Hampton Court; sold to Jackson and others on 23 October 1651; recovered at the Restoration

    • Artists
    • Science, Medicine and Technology
      • Industries, Crafts and Trades
        • Jewellery
        • Brushes
          • Paintbrushes
            • Artists' paintbrushes
    • Arts, Recreation, Entertainment & Sport
      • Plastic arts
        • Numismatics
          • Medals
      • Paintings