
The cult of the artist

Titian and his Friends ©
The modern stereotype of an artist is of a uniquely gifted visionary genius whose difficult temperament and non-conformist lifestyle leads to isolation from society. This romanticised view of the artist has its origins in the Renaissance, when the first artists' biographies recounted stories – sometimes apocryphal – of eccentric behaviour, violence and melancholia, alongside princely rewards and recognition. Such anecdotes provided a rich source of inspiration for artists in the nineteenth century. Recurrent themes include: an artist coming from humble beginnings, the recognition of innate genius in childhood and the direct transfer of talent from master to pupil.
Artists were often shown in a position elevated to the same level as an Emperor or Prince who in turn is depicted deferring to the artist's genius – the frequently quoted classical precedent being Apelles and Alexander the Great. While most episodes highlight an artist's success, occasionally they are portrayed as mistreated and rejected. The lives of great artists continue to inspire artists, writers and filmmakers today, many of whom cultivate a self-consciously 'artistic' persona as an important component of their own identity and reputation.
Johann Michael Wittmer (1802-80)
Raphael's First Sketch of the 'Madonna della Sedia'
Guillaume Koller (1829-1885)
The Summons
Frederic Leighton (1830-96)
Cimabue's Madonna Carried in Procession
Johann Michael Wittmer (1802-80)
Aesop
After Titian (c. 1488-Venice 1576)
Titian and his Friends
Federico Zuccaro (c. 1542-1609)
Calumny
Follower of Raphael (Urbino 1483-Rome 1520)
Portrait of a Man
Thomas Patch (c. 1725-82)
A self-portrait as an ox
Pietro Testa (1607/11-50)
Midas
Giovanni Benedetto Castiglione (1609-64)
The Genius of Castiglione
François Boucher (1703-70)
An allegorical design in honour of Jean-Antoine Watteau
Filippo Juvarra (1675-1736)
An architectural caprice with a monument to Marco Ricci
Carlo Maratti (1625-Rome 1713)
Recto: An allegorical design in honour of Pietro da Cortona. Verso: Study for the figure of Time
Giorgio Vasari (Arezzo 1511-74)
Delle vite de’ più eccellenti pittori scultori et architettori
Carlo Cesare Malvasia (1616-93)
Felsina pittrice : Vite di pittori bolognesi ; t. 1 / da Co. Carlo Cesare Malvasia.
Jean Baptiste Descamps (1706-91)