In October 1875 Albert Edward, Prince of Wales, the eldest son of Queen Victoria and Prince Albert and later King Edward VII (r.1901-10), embarked on an extensive tour of the Indian subcontinent, travelling on HMS Serapis. The Prince of Wales visited more than 21 towns and cities across parts of modern-day India, Sri Lanka, Pakistan and Nepal before returning to England in May 1876. This drawing shows the prince and some of his entourage, including Prince Louis of Battenberg, an officer in the British Navy who later married Albert Edward's neice, travelling on a state barge along the River Ganges at sunset on 5 January to Ramnagar Palace, where he met the Maharaja of Benares (Varanasi). William Howard Russell (see below), described the barge as being 'a handsome galley, with two sea-horses at the front, which was towed by a steamer ...' (Russell, 1877, p. 389). As Russell recounted, the prince and the Maharaja were transported from the river-bank to the palace on gold and silver-chairs, carried by the Maharaja's attendants. Albert Edward and his party stayed at the camp of the Lieutenant-Governor of Benares 4-6 January 1876, and the prince carried out several engagements in the city on 5 January.

Albert Edward’s tour of India was envisaged as a way of forging diplomatic links between the Indian rulers and the British Crown. The tour was extensively covered in the British press pictorially as well as in the form of descriptive accounts of the royal engagements undertaken by Albert Edward and the entertainments and activities he enjoyed. Though there were controversies before the tour began about its expense and purpose, ultimately from the British perspective it was considered successful and the prince received a warm reception in the places he visited. The response on the Indian subcontinent to Albert Edward's tour, and what it symbolised in terms of imperial rule and colonial relations, was more mixed.

Gift-giving was an important aspect of Indian diplomacy, and thus while on tour the prince exchanged gifts with the rulers he met. However, the monetary value of the gifts given by Albert Edward was not always commensurate with that of the objects presented to him. Some of the most significant Indian works of art in the Royal Collection today were acquired during this tour. On his return to England, Albert Edward arranged for these to be exhibited to the wider public, first at the South Kensington Museum (now the Victoria & Albert Museum) and then at nine further venues across England, Scotland and Europe. In England and Scotland alone, more than 2.5 million visitors saw the Indian works of art.

Sydney Prior Hall was a draughtsman and illustrator who worked for the Graphic newspaper, as well as a portrait painter. He was invited to accompany the tour of India made by the Prince of Wales as Special Artist, and his watercolours of India were exhibited in 1876 at the South Kensington Museum along with some of the gifts given to Albert Edward. Many of the drawings Hall made during the tour, including this one (partially), were also reproduced as illustrations to The Prince of Wales's Tour. A Diary in India (1877) by William Howard Russell, a reporter for The Times newspaper who travelled with the prince to India in the capacity of his Honourable Private Secretary. Sydney Prior Hall maintained a friendship with the prince after the tour, and Albert Edward often visited his studio in London.

This drawing is housed in one of three albums containing sketches relating to the prince's tour of India.