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1 of 253523 objects
The Great Exhibition: Belgium c.1851
Watercolour and bodycolour over pencil | 33.0 x 48.5 cm (sheet of paper) | RCIN 919948
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A watercolour depicting a number of statues in the Belgian section of the Great Exhibition, including the plaster cast of the bronze statue of Godfrey de Bouillon by Eugène Simonis, which still stands in the Place Royale in Brussels, and, on the left, the plaster group Le Lion Amoreux by G. Geefs.
This is one of a series of forty-nine watercolours commissioned by Queen Victoria and Prince Albert illustrating the various national sections and displays of materials and objects at the Exhibition. Joseph Nash made forty-three of them, and Louis Haghe painted six. The watercolours were commissioned for the purpose of reproduction as chromolithographs, and thus were a permanent visual record of the temporary spectacle. These chromolithographs were published by Messrs Dickinson of Bond Street in two volumes with accompanying letterpress descriptions in 1854 as Dickinson's Comprehensive Pictures of the Great Exhibition of 1851.
In his capacity as President of the Society of Arts, Prince Albert set up a committee to organise exhibitions with the aim of improving British industrial design. An exhibition in Birmingham in 1849 was followed by the first truly international exhibition, the Great Exhibition of Products of Industry of All Nations, held in Joseph Paxton's 'Crystal Palace' in Hyde Park, London, in the summer of 1851. Six million people visited the exhibition to see over 100,000 exhibits from around the world, divided broadly into raw materials, machinery, manufactures and the fine arts; Queen Victoria herself visited no fewer than thirty-four times. The substantial profits were used to establish the South Kensington Museum, renamed the Victoria and Albert Museum in 1899.Provenance
Commissioned by Queen Victoria and Prince Albert
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Medium and techniques
Watercolour and bodycolour over pencil
Measurements
33.0 x 48.5 cm (sheet of paper)
Other number(s)
RL 19948