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1 of 253523 objects
Recto: Designs for gun-barrels and mortars. Verso: A town wall being blown up c.1485
Recto: Pen and ink. Verso: Pen and ink over metalpoint on pale blue prepared paper | 28.2 x 20.5 cm (sheet of paper) | RCIN 912652
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This drawing shows a number of designs for gun-barrels, and mortars intended to discharge an incendiary substance known as ‘Greek fire’, to burn the rigging and sails of enemy ships. The largest drawing, at the bottom of the sheet, shows a box-shaped mortar mounted on a small boat, which would probably have capsized when the mortar was fired. The long gun-barrels at upper centre were conceived as fine pieces of engineering, cast in sections to be screwed together. At the centre is a rotating cradle for mounting a gun with opposed barrels, so that one could be loaded while the other was fired.
Milan was Italy’s leading centre for the production of arms and armour, and soon after Leonardo’s arrival in the city he began to sketch designs for all manner of weapons. It is unlikely that any of these designs was put into practice, and they may have been intended instead for an illustrated treatise on warfare.
Text adapted from Leonardo da Vinci: A life in drawing, London, 2018Provenance
Bequeathed to Francesco Melzi; from whose heirs purchased by Pompeo Leoni, c.1582-90; Thomas Howard, 14th Earl of Arundel, by 1630; probably acquired by Charles II; Royal Collection by 1690
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Medium and techniques
Recto: Pen and ink. Verso: Pen and ink over metalpoint on pale blue prepared paper
Measurements
28.2 x 20.5 cm (sheet of paper)
Featured in
ExhibitionLeonardo da Vinci: A Life in Drawing: Nationwide
A nationwide exhibition of drawings to commemorate the 500th anniversary of Leonardo's death