A circular view of the encampments of the Allied army, under the command of the Duke of Cumberland, in the vicinity of Brussels. 14 July-2 August 1745. War of the Austrian Succession (1740-48). Oriented with north to top (cardinal points). The attribution to Schultz is made on stylistic grounds.

This circular panorama is a topographical anamorphic image, ‘Fish-Eye’ or cylindrical view, belonging to the genre of distorted images, made famous by Hans Holbein's The Ambassadors (1533) which became popular in the seventeenth and eighteenth centuries. The topographical images were always taken from a height, as in this example, from the steeple of Diegem church. The church of Sainte Catherine and Saint Cornelius forms the centre point of this drawing, and is accurately represented in plan. (Hyde 1987, p.34-39; Baltrusaitis 1977.) The gridded preparatory sketches for this drawing, from which the circular view would have been constructed, do not appear to have survived.

The little village of Diegem was Cumberland's headquarters in the summer of 1745. It was from here, at the end of July, not yet knowing that the Young Pretender, Prince Charles Edward Stuart, had arrived at Arisaig (on the west coast of Scotland, west of Fort William) on 25 July, that Cumberland wrote stressing his desire to return to England for ‘it would be horrid to be employed abroad when my home was in danger’. Cumberland's draftsman, Schultz, must have climbed to the steeple of Diegem church which forms the central point of this unusual view of the army's tents, stretching out on either side of the village. The spires of Antwerp can be seen about 25 miles to the north-west, and Brussels, about five miles distant, appears on the south-west horizon. The present-day view would include Brussels airport, about three miles north-east of Diegem.

Condition: six fold lines; untidily trimmed to edge of image; surface dirt.