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Giuseppe Macpherson (1726-c. 1780)

Pietro Faccini (ca 1560-1602) c.1772-80

Watercolour on ivory | 7.0 x 5.7 cm (sight) | RCIN 421304

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  • Pietro Faccini (c. 1560-1602) was a painter and engraver from Bologna. He took up painting relatively late in life, when he was about 20 years old – until about 1588-9 he was involved in commerce. His biographer, Carlo Cesare Malvasia, recounts how he visited the Accademia degli Incamminati, the art academy run by the Carraci family, just out of curiosity. There he picked up a piece of charcoal and sketched the students so cleverly that Annibale Carracci invited him to join his profession. After spending a couple of years at the academy, Faccini started his own school. It is probable that he was moving away from the approach of the Carracci and wanted to follow his own style, but an anecdote recounted by Malvasia suggests the move was precipitated by a trick played on Faccini by Annibale. Faccini had been working in the studio, without permission, after all the other students had gone home, drawing a skeleton. Carracci secretly made the skeleton move and frightened his student so much so that Faccini cut his ties with the academy.

    This miniature is one of the collection of copies of 224 self-portraits by artists in the Uffizi Palace, Florence, that Lord Cowper, the art collector and patron, commissioned Giuseppe Macpherson (1726-1780) to paint. He presented the miniatures to King George III in two batches, in 1773 and 1786. Macpherson followed the original self-portraits quite closely, but copied only the head and shoulders. He inscribed the artists' names on the backs of the miniatures – several differ from those in the modern Uffizi catalogue, notably: Bazzi, Bellini, Campi, Annibale Carracci, Gabbiani, Masaccio, Metsys, Moroni, Pencz, Licinio, Schiavone and Spada. None of the miniatures is signed, apart from Macpherson's own self-portrait, which is inscribed: Giuseppe Macpherson / Autore della serie (Giuseppe Macpherson / Author of the series).

    Macpherson was born in Florence, the son of Donald Macpherson, a footman in the service of Alexander, 2nd Duke of Gordon. He was a pupil of Pompeo Batoni and painted miniatures and enamel portraits in Italy, France and Germany, finally settling in Florence. A James Macpherson is recorded in London and Paris in 1754 but it is not certain that this is the same person. He was described in 1776 as having a special talent for painting on enamel and as being 'almost the only painter in Europe who possesses this art to perfection'. He had a distinguished client list which included some of the crowned heads and dignitaries of Europe. In 1778, he was invited to add his own self-portrait to the famous painters in the grand duke's collection as it 'would do honour to Florence to enrich the collection with a work which shows that we still have some men of true merit' according to Giuseppe Pelli, director of the Uffizi at the time.

    Provenance

    Presented to George III by Lord Cowper

  • Medium and techniques

    Watercolour on ivory

    Measurements

    7.0 x 5.7 cm (sight)


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