During the period of peace following the Napoleonic Wars, increasingly elaborate (and often quite impractical) military attire was devised, particularly by George IV. By the time William IV came to the throne in 1830, uniforms had become too expensive and were simplified and adapted once again. The result of these changes was codified and promulgated in the 1831 Dress Regulations. These paintings were intended to provide a visual record of the recent changes to military dress. Their value is not only historical, however, but also aesthetic: Drahonet produces lively, slightly elongated figures, capturing their facial expressions and setting them in a variety of organic poses.

Each painting in the series depicts a single figure against a neutral background. Although their uniform and accoutrements are the focus, the sitters are often identified by name, as well as regiment and rank. Shown here is Private Alexander Ritchie of the 79th Cameron Highlanders, a Scottish Line Infantry regiment.

Ritchie’s single-breasted red coatee, with blue facings and simple white wings and lace, was common to most Line Infantry men, as were the knapsack, musket and bayonet he carries in this painting. The 79th were one of five kilted regiments, and Ritchie models the dark checked tartan with which they were associated, as well as the red and white checked hose worn since the 18th century. The embellishments introduced by George IV in the 1820s are still present in aspects of his uniform: the black and white bonnet, made of ostrich and vulture feathers, has grown to a great height; the sporran, once a functional purse, is now hairy and tasselled.