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Four Centuries of Paintings and Manuscripts from the Indian Subcontinent

Bibliography

ABBREVIATIONS

 

BL   

British Library, London

BM

British Museum, London

Bodl.   

Bodleian Library, Oxford

CBL   

Chester Beatty Library, Dublin

Freer Sackler 

Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC

GPL   

Golestan Palace Library, Tehran

IOPP     

India Office Private Papers  (British Library)

IOR   

India Office Records (British Library)

Khalili     

Nasser D. Khalili Collection of Islamic Art, London

RA   

Royal Archives, Windsor

RCIN   

Royal Collection Inventory Number

RL 

Royal Library, Windsor

V&A   

Victoria and Albert Museum, London 

ARCHIVAL SOURCES

 

Royal Archives (RA)

GEO/MAIN/ – Georgian Papers (Main Series)

GEO/ADD/ – Georgian Papers (Additional Series)

VIC/MAIN/ – Victorian Papers (Main Series)

VIC/MAIN/N – Victorian Papers (Main Series N: correspondence relating to India)

VIC/MAIN/Z – Victorian Papers (Main Series Z: miscellaneous correspondence)

VIC/ADD/ – Victorian Papers (Additional Series)

VIC/ADDJ/ – Victorian Papers (Additional Series J: miscellaneous)

VIC/MAIN/QVJ (K) – Queen Victoria’s Journals (Kensington)

VIC/MAIN/QVJ (BP) – Queen Victoria’s Journals (Buckingham Palace)

VIC/MAIN/QVJ (W) – Queen Victoria’s Journals (Windsor)

VIC/MAIN/QVJ (OH) – Queen Victoria’s Journals (Osborne House)

VIC/MAIN/QVJ (BC) – Queen Victoria’s Journals (Balmoral Castle)

VIC/MAIN/QVJ/HIND – Queen Victoria’s Hindustani Journals

QV/PRIV/GVD – King George V’s Diaries

QV/PRIV/QVD – Queen Mary’s Diaries

 

British Library (BL)

Add. MS – Manuscript

MS Or. – Oriental manuscript

IOPP MSS Eur – European manuscript (India Office Private Papers)

 

India Office Records (IOR)

IOR/A/ – East India Company’s charters, deeds, statutes and treaties, c.1550–c.1950

IOR/B/ – Minutes of the East India Company’s Court of Directors and Court of Proprietors, 1599–1858

IOR/E/ – General correspondence of the East India Company, 1602–1859

IOR/F/– Records of the Board of Control, 1784–1858

IOR/G/ – East India Company factory records, c.1595–1858

IOR/H/– India Office Home miscellaneous series, c.1600–1900

IOR/P/– Proceedings and consultations of the Government of India, 1702–1945

IOR/L/PS– Political and Secret Department records, 1756–c.1951

 

PUBLISHED SOURCES

 

ABBOTT 1906

G.F. Abbott, Through India with the Prince, London, 1906

 

ADAMOVA 2008

A.T. Adamova, Medieval Persian Painting: The Evolution of an Artistic Vision, New York, 2008

 

AHLUWALIA 2008

R. Ahluwalia, Rajput Painting: Romantic, Divine and Courtly Art from India, London, 2008

 

AIJAZUDDIN 1981

F.S. Aijazuddin, ‘Honoured Images: The Use of Portraiture in Sikh Diplomacy’, in Anand ed. 1981, pp. 89–94

 

AIN-I AKBARI VOL. 1

Ab’ul-Fazl, A’in-i Akbari, vol. 1, trans. H. Blochman, Calcutta, 1927

 

AIN-I AKBARI VOL. 2

Ab’ul-Fazl, A’in-i Akbari, vol. 2, trans. H.S. Jarret, Bengal, 1891

 

AITKEN 2002

M.E. Aitken, ‘Pardah and Portrayal: Rajput Women as Subjects, Patrons, and Collectors’, Artibus Asiae, vol. 62, no. 2, 2002, pp. 247–80

 

AITKEN 2009

M.E. Aitken, ‘Parataxis and the Practice of Reuse: From Mughal Margins to Mir Kalan Khan’, Archives of Asian Art, vol. 59, 2009, pp. 81–103

 

AITKEN 2010

M.E. Aitken, The Intelligence of Tradition in Rajput Court Painting, New Haven, 2010

 

AITKEN ed. 2016

M.E. Aitken, ed., A Magic World: New Visions of Indian Painting, Mumbai, 2016

 

AKBARNAMA

Abu’l-Fazl, Akbarnama of Abu-l-Fazl, trans. H. Beveridge, 2 vols, Calcutta, 1899 and 1904

 

AKIMUSHKIN 1996

I. Akimushkin, St. Petersburg Muraqqa’, Milan, 1996

 

ALAM AND SUBRAHMANYAM 2012

M. Alam and S. Subrahmanyam, Writing the Mughal World: Studies on Culture and Politics, New York, 2012

 

ALEXANDER AND ANAND 1980

M. Alexander and S. Anand, Queen Victoria’s Maharajah: Duleep Singh 1838–93, London, 1980

 

ANAND ed. 1981

M.R. Anand, ed., Maharaja Ranjit Singh as Patron of the Arts, Bombay, 1981

 

ARCHER 1979

M. Archer, India and British Portraiture, 1770–1825, London, 1979

 

ARCHER 1992

M. Archer, Company Paintings: Indian Paintings of the British Period, London, 1992

 

ARCHER 1966

W.G. Archer, Paintings of the Sikhs, London, 1966

 

ARCHER 1973

W.G. Archer, Indian Paintings from the Punjab Hills: A Survey and History of Pahari Miniature Painting, London, 1973

 

ARROWSMITH 2010

R.R. Arrowsmith, ‘“An Indian Renascence” and the Rise of Global Modernism: William Rothenstein in India, 1910–11’, The Burlington Magazine, vol. 152, no. 1285, 2010, pp. 228–35

 

ASHER 1992

C. Asher, Architecture of Mughal India, Cambridge, 1992

 

ASHTON ed. 1950

L. Ashton, ed., The Art of India and Pakistan: A Commemorative Catalogue of the Exhibition Held at the Royal Academy of Arts 1947–8, London, 1950

 

ATWAL 2017

P. Atwal, ‘Between the Courts of Lahore and Windsor: Anglo-Indian Relations and the Re-making of Royalty in the Nineteenth Century’, PhD thesis, University of Oxford, 2017

 

AUBER 1837

P. Auber, Rise and Progress of the British Power in India, London, 1837

 

BABURI 2010

S. Baburi, ‘Blood and Gore: Images of Execution in Illustrated Shahnamas and an Illustrated Padshahnama for Shahjahan Padshah I’, in M. Milz, ed., Painting the Persian Book of Kings Today: Ancient Text and Modern Images, Cambridge, 2010, pp. 139–61

 

BABURI 2012

S.N. Baburi, ‘Beyond the Akbar nama: Padshah Namahs and Official Regnal Chronography for Shah-Jahan Padshah I’, PhD thesis, School of Oriental and African Studies, University of London, 2012

 

BABURNAMA

Babur, Babur Nama: Journal of Emperor Babur, trans. A.S. Beveridge, New Delhi, 2006

 

BAILEY 1999

G. Bailey, The Jesuits and the Grand Mogul: Renaissance Art at the Imperial Court of India, 1580–1630, Washington, 1999

 

BALFOUR 1906

B. Balfour, Personal and Literary Letters of Robert, First Earl of Lytton, 2 vols, London, 1906

 

BALLINBAR 2015

L. Ballinbar, Imperial Identity in the Mughal Empire: Memory and Dynastic Politics in Early Modern South and Central Asia, London, 2015 

 

BANCE 2009

P. Bance, Sovereign, Squire and Rebel: Maharajah Duleep Singh and the Heirs of a Lost Kingdom, London, 2009

 

BARR 1840

W. Barr, Journal of a March from Delhi To Peshawur, and from thence To Cabul, with the mission of LieutenantColonel Sir C.M. Wade, London, 1840

 

BARRETT AND GRAY 1963

D. Barrett and B. Gray, Indian Painting, Geneva, 1963

 

BASU 2010

S. Basu, Victoria & Abdul: The True Story of the Queen’s Closest Confidant, Stroud, 2010

 

BASU 2015

S. Basu, For King and Another Country: Indian Soldiers on the Western Front, 1914–18, New Delhi, 2015

 

BASU 2011

Sharmadip Basu, ‘Tuning Modernity: Musical Knowledge and Subjectivities in Colonial India, c.1780 – c.1900’, PhD thesis, Department of Social Science, Syracuse University, 2011

 

BAUTZE 1998

J.K. Bautze, Interaction of Cultures: Indian and Western Painting, 1780–1910: The Ehrenfeld Collection, Alexandria, Va., 1998

 

BAYLEY 1894

C.S. Bayley, Chiefs and Leading Families in Rajputana, Delhi, 1894

 

BAYLY ed. 1990

C.A. Bayly, ed., The Raj: India and the British 1600–1947, London, 1990

 

BAYLY 1989A

S. Bayly, Saints, Goddesses and Kings: Muslims and Christians in South Indian Society, 1700–1900, Cambridge, 1989

 

BAYLY 1989B

S. Bayly, ‘Islam and State Power’, in P. Marshall, ed., India and Indonesia during the Ancien Regime: Essays, New York, 1989, pp. 143–64

 

BEACH 1965

M.C. Beach, ‘The Gulshan Album and its European Sources’, Bulletin of the Museum of Fine Arts (Boston), vol. 63, no. 332, 1965, pp. 63–91

 

BEACH 1978

M.C. Beach, The Grand Mogul: Imperial Painting in India 1600–1660, Williamstown, Mass., 1978

 

BEACH 1981

M.C. Beach, The Imperial Image: Painting for the Mughal Court, Washington, 1981

 

BEACH 1987

M.C. Beach, Early Mughal Painting, New York, 1987

 

BEACH 1992

M.C. Beach, The New Cambridge History of India, vol. 1, part 3: Mughal and Rajput Painting, Cambridge, 1992

 

BEACH AND KOCH 1997

M.C. Beach and E. Koch, The King of the World: The Padshahnama, an Imperial Manuscript from the Royal Library, Windsor Castle, London, 1997

 

BEACH, GOSWAMY AND FISCHER 2011

M.C. Beach, B.N. Goswamy and E. Fischer, Masters  of Indian Painting 1100–1900, 2 vols, Zurich, 2011

 

BEAUTIES OF LUCKNOW

Anonymous, The Beauties of Lucknow, consisting of twenty-four selected photographed portraits, cabinet size, of the most celebrated and popular living histrionic singers, dancing girls and actresses of the Oudh court and of Lucknow, Calcutta, 1874

 

BERNIER

F. Bernier, Travels in the Mogul Empire AD 1656–1668, ed. V. Smith, New Delhi, 1969 

 

BHATNAGAR 1968

G.D. Bhatnagar, Awadh under Wajid Ali Shah, Varanasi, 1968

 

BINNEY 1973

E. Binney, Indian Miniature Painting from the Collection of Edwin Binney 3rd: The Mughal and Deccani Schools, Portland, Ore., 1973

 

BRANFOOT 2007

C. Branfoot, ‘Gateways to God: The Development of the City Temple in Tamil Nadu’, in Gods on The Move: Architecture and Ritual in the South Indian Temple, London, 2007, pp. 41–86

 

BROWN 2001

M. Brown, ‘A “Complimentary Mission” from Nawab Nasir-ud-Din Haider to King William IV’, Asian Affairs, vol. 32, part 3, 2001, pp. 279–86

 

BRYANT 2017

J. Bryant, ‘Kipling’s Royal Commissions: Bagshot Park and Osborne’, in John Lockwood Kipling: Arts & Crafts in the Punjab and London, New Haven, 2017, pp. 435–68

 

BUDDLE 1999

A. Buddle, The Tiger and the Thistle: Tipu Sultan and the Scots in India 1760–1800, Edinburgh, 1999

 

BUSTAN

Sa’di, Bustan of Sa’di, trans. A. Hart Edwards, London, 1911

 

CALENDAR OF COURT MINUTES

E. Sainsbury, ed., Calendar of the Court Minutes of  the East India Company, 11 vols, Oxford, 1909–38

 

CALENDAR OF PERSIAN CORRESPONDENCE 

National Archives of India, Calendar of Persian Correspondence, being letters which passed between some of the company’s servants and Indian rulers and notables, 11 vols, Delhi, 1911–16

 

CAMERON 2015

A.M. Cameron, Drawn from Courtly India: The Conley Harris and Howard Truelove Collection, New Haven, 2015

 

CAMPBELL 2010

C. Campbell, The Maharajah’s Box: An Imperial Story of Conspiracy, Love and a Guru’s Prophecy, London, 2010

 

CAPWELL 1991

C. Capwell, ‘Marginality and Musicology in Nineteenth-Century Calcutta: The Case of Sourindro Mohun Tagore’, in B. Nettl and P. Bohlman, eds, Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology, Chicago, 1991, pp. 228–43

 

CAPWELL 2002

C. Capwell, ‘A Ragamala for the Empress’, Ethnomusicology, vol. 46, no. 2, 2002, pp. 197–225

 

CHAKRAVARTY 2005

G. Chakravarty, The Indian Mutiny in the British Imagination, Cambridge, 2005

 

CHANCEY 2007

K. Chancey, ‘Rethinking the Reign of Asaf-ud-Daula, Nawab of Awadh, 1775–1797’, Journal of Asian History, vol. 41, no. 1, 2007, pp. 1–56

 

CHANDRA 1971

S. Chandra, Indian Miniature Painting: The Collection of Earnest C. and Jane Werner Watson, Wisconsin, 1971

 

CHANDRA 1992

S. Chandra, The Oppressive Present: Literature and Social Consciousness in Colonial India, Oxford, 1992

 

CHEEMA 2002

G.S. Cheema, The Forgotten Mughals: A History of the Later Emperors of the House of Babar (1707–1857), New Delhi, 2002 

 

CHOWDRY 2017

A. Chowdry, The Book of Gold, 2017 (e-book)

 

CLARK AND CROCKER 2014

P. Clark and J. Crocker, Treasures from the Royal Archives, London, 2014

 

CLAYTON 2004

M. Clayton, Holbein to Hockney: Drawings from the Royal Collection, London, 2004

 

CLAYTON 2007

M. Clayton, ‘Musical Renaissance and its Margins in England and India, 1874–1914’, in Music and Orientalism in the British Empire, 1780s to 1940s: Portrayal of the East, Aldershot, 2007, pp. 71–93

 

CODELL ED. 2012

J. Codell, ed., Power and Resistance: The Delhi Coronation Durbars, Middletown, N.J., 2012

 

COHN 1992

B.S. Cohn, ‘Representing Authority in Colonial India,’ in Eric Hobsbawm, ed., The Invention of Tradition, Cambridge, 1992, pp. 185–200

 

COHN 1996

B.S. Cohn, Colonialism and its Forms of Knowledge: The British in India, Princeton, 1996

 

COOMARASWAMY 1930

A.K. Coomaraswamy, Catalogue of the Indian Collections in the Museum of Fine Arts, Boston. Vol. VI: Mughal Painting, Boston, 1930

 

COPLAND 1997

I. Copland, Princes of India and the Endgame of Empire, 1917–1947, Cambridge, 1997

 

CRILL AND JARIWALA eds 2010

R. Crill and K. Jariwala, eds, The Indian Portrait, 1560–1860, London, 2010

 

CRILL, STRONGE AND TOPSFIELD eds 2004

R. Crill, S. Stronge and A. Topsfield, eds, Arts of Mughal India: Studies in Honour of Robert Skelton, London, 2004

 

DALRYMPLE 2006

W. Dalrymple, The Last Mughal: The Fall of Delhi, 1857, London, 2006

 

DAS 1978

A.K. Das, Mughal Painting during Jahangir’s Time, Calcutta, 1978

 

DAS ed. 1998

A.K. Das, ed., Mughal Masters: Further Studies, Mumbai, 199

 

DAS 2009

A.K. Das, ‘Books and Pictures from the Zenana Mahal: The Collection of Manuscripts from Hamida Banu Begum’, in The Diverse World of Indian Painting: Essays in Honour of Dr. Vishwa Chander Ohri, New Delhi, 2009, pp. 20–8 

 

DAS 2012

A.K. Das, Wonders of Nature: Ustad Mansur at the Mughal Court, Mumbai, 2012

 

DAS 1959

H. Das, The Norris Embassy to Aurangzib, 1699–1702, Calcutta, 1959

 

DAVID 2002

S. David, The Indian Mutiny, 1857, London, 2002

 

DE ALMEIDA AND GILPIN 2006

H. de Almeida and G.H. Gilpin, Indian Renaissance: British Romantic Art and the Prospect of India, Aldershot, 2006

 

DESAI 2012

M. Desai, ‘Interpreting an Architectural Past: Ram Raz and the Treatise in South Asia’, Journal of the Society of Architectural Historians, vol. 71, no. 4, Special Issue on Architectural Representations 2, 2012, pp. 462–87

 

DESAI 1985

V. Desai, Life at Court: Art for India’s Rulers, 16th–19th Centuries, Boston, 1985

 

DEWAN 2012

D. Dewan, Embellished Reality: India’s Painted Photographs, Toronto, 2012

 

DIAMOND 2016

D. Diamond, ‘Holi in the Zenana: Genre, Style and Sociability’, in Aitken ed. 2016, pp. 100–15

 

DIAMOND ET AL. 2008

D. Diamond, C. Glynn, and K.S. Jasol, Garden and Cosmos: The Royal Paintings of Jodhpur, Washington, 2008

 

DIRKS 2006

N. Dirks, The Scandal of Empire: India and the Creation of Imperial Britain, Cambridge, Mass., 2006

 

DIRKS 2009

N. Dirks, ‘Colin Mackenzie: Autobiography of an Archive’, in T. Trautmann, ed., The Madras School of Orientalism: Producing Knowledge in Colonial South India, Oxford, 2009, pp. 29–47

 

DROGE 2013

A. Droge, trans., The Qur’an: A New Annotated Translation, Sheffield, 2013

 

EBELING 1973

K. Ebeling, Ragamala Painting, Basel, 1973

 

ECK 1992

D. Eck, Benares: City of Light, New York, 1992

 

EDEN [1984]

E. Eden, Up the Country: Letters Written to her Sister from the Upper Provinces of India, London, [1984]

 

EDEN [1988]

F. Eden, Tigers, Durbars and Kings: Fanny Eden’s Indian Journals 1837–8, London, [1988]

 

FALK AND ARCHER 1981

T. Falk and M. Archer, Indian Miniatures in the India Office Library, London, 1981

 

FANE 1842

H.E. Fane, Five Years in India, vol. 1, London, 1842

 

FAROOQUI 2013

A. Farooqui, Zafar and the Raj: Anglo-Mughal Delhi c. 1800–1850, New Delhi, 2013

 

FARRELL 1997

G. Farrell, Indian Music in the West, London, 1997

 

FINDLY 1993

E.B. Findly, Nur Jahan: Empress of Mughal India, Oxford, 1993

 

FISHER AND READ 1997

D. Fisher and A. Read, The Proudest Day: India’s Long Road to Independence, London, 1997

 

FISHER 1987

M.H. Fisher, A Clash of Cultures: Awadh, the British and the Mughals, Delhi, 1987

 

FISHER 2004

M.H. Fisher, Counterflows to Colonialism: Indian Travellers and Settlers in Britain, 1600–1857, Delhi, 2004

 

FORUGHI ed. 1963

M.A. Forughi, ed., Kolliyat-e sa’adi-e Shirazi, Tehran, 1963

 

FOSTER ed. 1926

W. Foster, ed., The Embassy of Sir Thomas Roe to India, 1615–1619, London, 1926

 

FOSTER 1930

W. Foster, ‘Some Foreign European Artists in India’, Bengal Past and Present, vol. XL, Oct.–Dec. 1930, p. 81

 

FRASER 2017

M. Fraser, From Kabul to Kolkata: Highlights of Indian Painting in the Fitzwilliam Museum, Cambridge, 2017

 

FRIELL 1837

P. Friell, Short statement relative to the presents transmitted to England in 1835, by the King of Oude, under the charge of P. Friell, Esq. … Together with the correspondence relating thereto, London, 1837

 

FULLARTON 1788

W. Fullarton, View of the English Interests in India and an Account of the Military, London, 1788

 

GAENSZLE AND GENGNAGEL eds 2008

M. Gaenszle and J. Gengnagel, eds, Visualizing Space in Banaras: Images, Maps and the Practice of Representation, Oxford, 2008

 

GANDHI 2013

R. Gandhi, Punjab: A History from Aurangzeb to Mountbatten, New Delhi, 2013

 

GANGOLY 1916

O.C. Gangoly, ‘The New Indian School of Painting’, Journal of Indian Art and Industry, vol. 17, 1916, pp. 48–54

 

GANGOLY 1935

O.C. Gangoly, Ragas and Raginis, 2 vols, Calcutta, 1935

 

GANGOLY 1961

O.C. Gangoly, Critical Catalogue of Miniature Paintings in the Baroda Museum, Baroda, 1961

 

GHANI 1929

M.A. Ghani, A History of Persian Language & Literature at the Mughal Court, with a brief survey of the growth  of Urdu language, etc., part 2, Allahabad, 1929

 

GITA GOVINDA

Jayadeva, The Gītagovinda of Jayadeva: Love Song of the Dark Lord, trans. Barbara Stoler Miller, Delhi, 2007

 

GILMOUR 1994

D. Gilmour, Curzon, London, 1994

 

GLEIG 1841

G.R. Gleig, Memoirs of the Life of Warren Hastings, 3 vols, London, 1841

 

GLYNN 2008

C. Glynn, ‘Rathore and Mughal Interactions: Artistic Development at the Nagaur Court, 1600-1751’, in Diamond et al. 2008, pp. 11–19

 

GODARD 1938

Y.A. Godard, ‘Un album de portraits des princes timurides de l’Inde’, Athar-e-Iran, vol II, 1938, pp. 179–277

 

GOETZ 1958

H. Goetz, The Indian and Persian Miniature Paintings in the Rijksprentenkabinet (Rijksmuseum), Amsterdam, Amsterdam, 1958

 

GORDON 1996

S. Gordon, ‘Robes of Honour: A “Transactional” Kingly Ceremony’, Indian Economic Social History Review, vol. 33, part 3, 1996, pp. 225–42

 

GORDON 2010

S. Gordon, ‘The Role of Photography in the “City of Mourning”’, in S. Markel, ed., India’s Fabled City: The Art of Courtly Lucknow, Los Angeles, 2010

 

GOSWAMY 1968

B.N. Goswamy, ‘Pahari Painting: The Family as the Basis of Style’, Marg, vol. 21, part 4, 1968, pp. 17–62

 

GOSWAMY 1981

B.N. Goswamy, ‘A Matter of Taste: Some Notes on the Context of Painting in the Punjab’, in Anand ed. 1981, pp. 61–78

 

GOSWAMY 1999

B.N. Goswamy, Painted Visions: The Goenka Collection of Indian Paintings, New Delhi, 1999

 

GOSWAMY 2006

B.N. Goswamy, See No Stranger: Early Sikh Art and Devotion, New York, 2006

 

GOSWAMY 2014

B.N. Goswamy, The Spirit of Indian Painting: Close Encounters with 101 Great Works 1100–1900, London, 2014 

 

GOSWAMY AND FISCHER 1987

B.N. Goswamy and E. Fischer, Wonders of a Golden Age: Painting at the Court of the Great Mughals; Indian Art of the 16th and 17th Centuries from Collections in Switzerland, Zurich, 1987

 

GOSWAMY AND FISCHER 1992

B.N. Goswamy and E. Fischer, Pahari Masters: Court Painters of Northern India, Zurich, 1992

 

GUHA-THAKURTA 1992

T. Guha-Thakurta, The Making of a New Indian Art, Cambridge, 1992

 

HAFT EQLIM

Amin Ahmad Razi, Haft Eqlim, 3 vols, Tehran, 1961

 

HAIDAR AND SARDAR eds 2015

N. Haidar and M. Sardar, eds, Sultans of Deccan India, 1500–1700: Opulence and Fantasy, New York, 2015

 

HARVEY 1999

R. Harvey, Clive: The Life and Death of a British Emperor, London, 1999

 

HASAN 1975

M. Hasan, History of Tipu Sultan, Calcutta, 1975

 

HERAS ed. 1974

H. Heras, ed., Indian Records Series: Fort William India House correspondence and other contemporary papers relating thereto (foreign, political & secret), Vol. XVIII: 1796–1800, New Delhi, 1974

 

HICKS 2012

P. Hicks, Daughter of Empire: Life as a Mountbatten, London, 2012

 

HISTORICAL RECORD 1911

Government of India, The Historical Record of the Imperial Visit to India 1911, compiled from the official records under the orders of the Viceroy and Governor-General of India, London, 1914

 

HOWES 2009

J. Howes, ‘Colin Mackenzie, the Madras School of Orientalism and Investigations in Mahabalipuram’, in T. Trautmann, ed.,The Madras School of Orientalism: Producing Knowledge in Colonial South India, Oxford, 2009, pp. 74–109

 

HOWES 2010

J. Howes, Illustrating India: The Early Colonial Investigations of Colin Mackenzie, Oxford, 2010

 

HÜGEL 1845

C. Hügel, Travels in Kashmir and the Panjab, London, 1845

 

HUREL 2010

R. Hurel, Miniatures et peintures de l’Inde du Nord, Paris, 2010

 

HUREL 2011

R. Hurel, Miniatures et peintures de l’Inde méridionale, Paris, 2011

 

HUTTON 2016

D. Hutton, ‘Portraits of “a noble Queen”: Chand Bibi in the Historical Imaginary’, in Aitken ed. 2016, pp. 50–63

 

IBRAT-NAMA

Fakir Khair ud-din Muhammad Allahabadi, ‘Extracts from the ‘Ibrat-nama’, in The History of India as told by its own historians, vol. VIII: The Muhammadan Period, eds H.M. Elliot and J. Dowson, London, 1877 [1954], pp. 81–6 

 

IMAMUDDIN 1983

S.M. Imamuddin, Arabic Writing and Arabic Libraries, London, 1983.

 

IQBALNAMA

Anonymous, Iqbalnama, trans. S.H. Askari, Patna, 1983

 

IRVINE 1922

W. Irvine, The Later Mughals, 2 vols, London, 1922

 

I’TESAMUDDIN

Mirza Sheikh I’tesamuddin, The Wonders of Vilayet, being the memoir, originally in Persian, of a visit to France and Britain in 1765, trans. Kaiser Haq, Leeds, 2002

 

JAFFER 1999

A. Jaffer, ‘Tipu Sultan, Warren Hastings and Queen Charlotte the Mythology and Typology of Anglo-Indian Ivory Furniture’, The Burlington Magazine, vol. 141, no. 1161, May 1999, pp. 271–81

 

JAHANGIRNAMA

Jahangir, Jahangirnama: Memoirs of Jahangir, Emperor of India, trans. W.M. Thackston, New York, 1999

 

JONES 1784

W. Jones, A discourse on the institution of a society for enquiring into the history, civil and natural, the antiquities, arts, sciences, and literature of Asia, London, 1784

 

JUDD 1996

D. Judd, ‘The Amritsar Massacre of 1919: Gandhi, the Raj and the Growth of Indian Nationalism, 1915–39’, in Empire: The British Imperial Experience from 1765 to the Present, London, 1996, pp. 258–72

 

JUNEJA 2011

M. Juneja, ‘Translating the Body into Image: The Body Politic and Visual Practice at the Mughal Court during the Sixteenth and Seventeenth Centuries’, in A. Michaels and C. Wulf, eds, The Body in India: Ritual, Transgression and Perfomativity,  New Delhi, 2011, pp. 243–66

 

KALIM 2016

M.P. Kalim, ‘“A Right Royal Tamasha”: Imaging Queen Victoria as Kaiser-i-Hind’, Vides, vol. 4, 2016

 

KHAN 2000

S.M. Khan, The Begums of Bhopal: A History of the Princely State of Bhopal, London, 2000

 

KIA 2014

M. Kia, ‘Adab as Ethics of Literary Form and Social Conduct: Reading the Gulistan in Late Mughal India’, in A. Korangy and D.J. Sheffield, eds, No Tapping around Philology: A Festschrift in Celebration and Honor of Wheeler McIntosh Thackston Jr.’s 70th Birthday, Wiesbaden, 2014, pp. 281–308

 

KING 1989

C.R. King, ‘Forging a New Linguistic Identity:  The Hindi Movement in Banaras, 1868–1914’, in S.B. Freitag, ed., Culture and Power in Banaras: Community, Performance and Environment, 1800–1980, Berkeley, pp. 179–202

 

KOCH 1996

E. Koch, ‘Renaissance Calendar Illustrations and the Representation of the Mughal Hunt’, in Islam and the Italian Renaissance: Papers of an International Colloquium held at the Warburg Institute and the Victoria and Albert Museum, London, 15–16 March 1996, London, 1996, pp. 167–76

 

KOCH 1997

E. Koch, ‘The Hierarchical Principles of Shah-Jahani Painting’, in Beach and Koch 1997, pp. 131–43

 

KOCH 1998

E. Koch, Dara-Shikoh Shooting Nilgais: Hunt and Landscape in Mughal Painting, Washington, 1998 

 

KOCH 2006

E. Koch, The Complete Taj Mahal, and the Riverfront Gardens of Agra, London, 2006

 

KOCH 2010

E. Koch, ‘The Mughal Emperor as Solomon, Majnun, and Orpheus, or the Album as a Think Tank’, Muqarnas, vol. 27, 2010, pp. 277–311

 

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W. Komala, ‘The Windsor Castle Badshah Nama and its Place in the Development of Historical Painting during the Reign of Shah Jahan’, PhD thesis, University of Iowa, 1982

 

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