A full-length drawing of a standing horse, facing the viewer; a study of the hind-quarters of a horse, with its back to the spectator; a full-length horse, in profile to the right, turned slightly away from the spectator; a slight sketch of a horse, and a small drawing of horse walking to the left in profile. Melzi's number 48.

In the mid-1480s Ludovico Sforza, the ruler (though not yet Duke) of Milan, commissioned Leonardo to make a bronze equestrian monument to his father Francesco. To help him to build the clay model for the monument, well over life size, Leonardo measured individual horses minutely, and drew them in natural poses from a range of viewpoints, as here. From the clay model, Leonardo constructed a mould and built an entire foundry to execute the casting. But in 1494 the 75 tons of bronze assembled for the casting was requisitioned to make cannon, and the project was suspended. Five years later French forces took Milan and deposed Ludovico, and Leonardo’s model for the horse was used for target practice by the French troops and destroyed.

Text adapted from Leonardo da Vinci: A life in drawing, London, 2018