
Earlier watercolours and drawings
Soon after the accession of King George VI in 1936, Queen Elizabeth began to form a small but well-chosen collection of eighteenth and early nineteenth-century British watercolours and drawings. A number of works, such as those by Thomas Gainsborough and John Varley, reflect her wider interest in the landscape tradition. Others, such as the watercolour by Michael 'Angelo' Rooker of Castle Acre Priory, near Sandringham n Norfolk, and the two meticulously detailed works here by David Roberts, show her taste for precise draughtsmanship and architectural subjects. As a collector the Queen Mother also took a particular interest in works with royal significance, such as the sketches by Sir David Wilkie for a portrait of Queen Victoria as a young girl.
Thomas Gainsborough (1727-88)
A figure in a landscape
Joseph Wright of Derby (1734-97)
A study of a wall with a house
Michael Angelo Rooker (1743-1801)
Castle Acre Priory, Norfolk
John Varley (1778-1842)
Snowdon
John Varley (1778-1842)
A view across London from Porchester Terrace, Bayswater
David Roberts (1796-1864)
The Town Hall, Ghent
David Roberts (1796-1864)
On the Bridge of Toledo, Madrid
Charles Decimus Barraud (1822-97)
A southern landscape, New Zealand
Berthe Morisot (1841-95)