
Divine Encounters
Hindu paintings from northern India
In the eighteenth and nineteenth centuries, dynasties of Hindu rajas ruled a large area of northern India called Rajasthan. They commissioned their artists and scribes to create paintings and manuscripts for bhakti (personal devotion). On display here are intimate images of earthly encounters with Hindu gods intended to connect the soul with the Divine. The same figures may appear multiple times in a painting because the paintings do not depict any fixed time or human realm.
Paintings on paper traditionally echoed the heavily contoured and colourful imagery of wall paintings. Rajput artists developed distinct styles and techniques which evolved into regional styles, some bold and bright, others more delicate and muted. These paintings illustrate epic Hindu texts in an easily-accessible way.
Gifts for a Prince
Queen Victoria’s son Albert Edward, later King Edward VII, toured India as Prince of Wales in 1875 – 6. The Prince’s first port of call was Bombay (Mumbai) where lanterns had been set up for the Hindu festival of Diwali. These were left in place to mark the Prince’s birthday the day after he arrived. Mangaldas Nathubhai, head of the Bombay welcoming committee, presented the prince with a gift of three albums of paintings portraying Hindu deities, including many of those on display here.
Indian School, late 18th century
Vishnu and Lakshmi
Mughal artist, India
Paintings of Krishna and the gopis and a green bee-eater.
Indian School, late 18th century
Krishna and the gopis celebrate Holi.
Indian School, late 18th century
Folio from the Gita Govinda.
Indian School, late 18th century
Folio from the Gita Govinda.
Indian School, Pahari style, 19th century
Hiranyakashipu learns of his brother's death
Indian School, Pahari style, 19th century
Hiranyakashipu consoles his mother and sister-in-law
Indian School, Pahari style, 19th century
Hiranyakashipu performs penance in order that Brahma might grant him a wish.
Indian School, Pahari style, 19th century
Hiranyakashipu conquers all the world's territories
Indian School, Pahari style, 19th century
Hiranyakashipu sends his son Prahlada away to be taught
Indian School, Pahari style, 19th century
Shukracharya advises Hiranyakashipu not to try to kill Prahlada
Indian School, Pahari style, 19th century
Hiranyakashipu throws Prahlada off his lap and orders that he be killed
Indian School, Pahari style, 19th century
The demons try to crush Prahlada with an elephant
Indian School, Pahari style, 19th century
Hiranyakashipu asks Prahlada whether Vishnu is in the pillar in front of him
Indian School, Pahari style, 19th century
Narasimha bursts out of pillar and attacks Hiranyakashipu
Indian School, Pahari style, 19th century
Narasimha kills Hiranyakashipu on the threshold of his palace
Indian School, Pahari style, 19th century
The world rejoices as Vishnu is garlanded
Indian School, Pahari style, 19th century
Proshitapatika Nayika
Attributed to Sajnu (active early 19th cent.)
Ragini Todi
Pahari style, Guler