A watercolour depicting a view of the machinery court at the Great Exhibition of 1851, including a display of engines, Maplin's lighthouse model, and Ransome and May's water crane, amongst other objects.

In his capacity as President of the Society of Arts, Prince Albert set up a committee to organise exhibitions with the aim of improving British industrial design. An exhibition in Birmingham in 1849 was followed by the first truly international exhibition, the Great Exhibition of Products of Industry of All Nations, held in Joseph Paxton's 'Crystal Palace' in Hyde Park, London, in the summer of 1851. Six million people visited the exhibition to see over 100,000 exhibits from around the world, divided broadly into raw materials, machinery, manufactures and the fine arts; Queen Victoria herself visited no fewer than thirty-four times. The substantial profits were used to establish the South Kensington Museum, renamed the Victoria and Albert Museum in 1899.

Prince Albert commissioned fifty watercolours of the Great Exhibition, to be reproduced by Dickinson Bros in chromolithography, a new mechanical colour-printing process in keeping with the aims of the exhibition itself. Forty-four of the watercolours were executed by Joseph Nash (1808-78), and six by the Belgian artist Louis Haghe. Having moved to London at the age of seventeen, Haghe worked with the pioneering commercial lithographer William Day, spending eight years producing the chromolithographs for David Roberts's Sketches in the Holy Land (published 1842-9); he was a founder member of the New Watercolour Society in 1832 and left Day & Son in 1851 to become a full-time watercolourist.