A Russian silver and  parcel gilt teapot with detachable cover. The pot with an angular brown leather covered handle and a straight spout. The body cast and chased with a woven reed pattern.

Lid struck with city mark of St Petersburg, 1880, assay mark and maker's mark ЛГ; teapot struck with city mark of St Petersburg.

Part of a service comprising a kettle and stand, teapot, coffee pot, cream jug, sugar basin and cover, cake basket and slop bowl. Each piece in the service is cast and chased over the surface to resemble woven birch bark, fastened by small gilt staples and with plain borders.

Tea kettle lid struck with city mark of St Petersburg, kettle struck with date mark for 1870, and assayer's mark of I. Yevstigneyev, stand and burner lid struck with city mark of St Petersburg (1878) and assayer's mark of I. Yevstigneyev; coffee pot lid struck with, ЛГ; teapot lid struck with city mark of St Petersburg (1880), assayer's mark of I. Yevstigneyev, and maker's mark, ЛГ, and teapot struck with city mark of St Petersburg; cream jug struck with city mark of St Petersburg (1880), assayer's mark I. Yevstigneyev, and maker's mark, ЛГ; cake basket struck with city mark of St Petersburg (1880), assayer's mark of I. Yevstigneyev, and maker's mark, ЛГ; sugar bowl cover struck with city mark of St Petersburg and maker's mark, ЛГ, and bowl struck with city mark of St Petersburg (1880), assayer's mark of I. Yevstigneyev, and maker's mark, ЛГ; slop bowl struck with city mark of St Petersburg (1879), assayer's mark of I. Yevstigneyev, and maker's mark, ЛГ.

The freeing of the serfs under Alexander II in 1861 resulted in an intense interest in the lifestyle of the peasant in Russia. Serfdom had been in place officially since 1649, and a national census in 1857 recorded that more than one third of the population consisted of serfs.  Numerous motifs associated with peasant life appear on silver of the period, drawn from traditional wooden utensils, embroidered textiles or woven birch bark. The latter was particularly popular with goldsmiths, creating trompe l'oeil surfaces, cast and chased to resemble woven bark, often depicting the tapering ends of the strips and with illusionistic pins holding the bark in place included in the design. Woven bark was traditionally used for the creation of boxes, baskets and other containers, often combined with pieces of birch wood itself to give definition to the form. Many of the serfs of Russia also wore shoes of woven bark.   Once translated into metal the decorative surface had little to do with function, and creating these objects in silver overturned their association with the serfs.

Although works by the maker with the mark ЛГ are known in Russia, his identity has not yet been identified with certainty.