Search results

Start typing

Attributed to Antoine Monnoyer (1670-1747)

Still Life with Flowers c.1650-99

Oil on canvas | 140.2 x 103.0 x 2.5 cm (support, canvas/panel/stretcher external) | RCIN 401137

  • Jean-Baptiste Monnoyer (often referred to as ‘Baptist’ or ‘Old Baptist’) was the most influential flower painter of his generation, specializing in decorative compositions including elaborate vases. Born in Lille, in 1650 he was working on the interiors at the Hôtel Lambert, where he came to the attention of Charles Le Brun, the most powerful artist-impresario of the age. Through his influence, Monnoyer supplied designs at the Royal tapestry manufactories at Gobelins and Beauvais and paintings for major royal decorative schemes at Marly and Meudon. He settled in England in 1690 and worked at Montagu House and Boughton. His son Antoine Monnoyer 1670-1747 (‘young Baptist’) continued to produce flower paintings in the same style. The Monnoyers were much imitated in France and England, which means that ‘Baptist’ is a name applied to any overdoor from the Baroque period with a flower in it. There were twenty one works by ‘Monsieur Baptist’ amongst the Consul Smith Collection acquired by George III in 1762 (Italian List nos 185-205) and numerous works attributed to ‘old Baptist’ and ‘young Baptist’ in other inventories. Of these twenty remain in the Royal Collection.

    This is one of the sixteen Consul Smith ‘Baptists’ still in the collection; ten of them are described as ‘Young Baptist’ when hanging on the walls of Buckingham Palace and St James’s Palace in 1785. They appear to be by the same artist, in the style of the Monnoyer dynasty, perhaps with something distinctive - acidic colour, somber tone and tangled profuse patterns. Consul Smith formed his collection in Venice during the period 1725-50, commissioning new and acquiring old in equal measure. He bought the Villa Mogliano in 1731 and the Palazzo Balbi in 1740; these groups of flower paintings may have been acquired at this time to decorate the walls of his newly acquired residences. It is possible that the 1785 inventory references are correct and that they were commissioned from Antoine Monnoyer; this is enough at least to justify a tentative attribution.

    This is one of a set of four flower pieces of roughly the same size (Italian List nos 187-90), split into two pairs, one of which has been reframed (RCIN 401244 and 401245) and the other has retained their original Venetian panel frames (RCIN 401073 and 401137). Each pair reads as a single composition - in this case the urns of flowers mirroring each other with a column in each composition 'book-ending' the ensemble. A large urn with a fluted stem filled with flowers including lilies, carnations,and chrysanthemums, with honeysuckle spilling over onto a table which bears fruit; to the left, a column and a bunch of grapes.
    Provenance

    Acquired by George III in 1762 from Joseph Smith, British Consul in Venice; at Buckingham Palace in 1785 as 'Young Baptist'; at Hampton Court in 1861 and sent to the Palace of Holyroodhouse in 1881

  • Medium and techniques

    Oil on canvas

    Measurements

    140.2 x 103.0 x 2.5 cm (support, canvas/panel/stretcher external)

    155.5 x 118.6 x 5.5 cm (frame, external)


The income from your ticket contributes directly to The Royal Collection Trust, a registered charity. The aims of The Royal Collection Trust are the care and conservation of the Royal Collection, and the promotion of access and enjoyment through exhibitions, publications, loans and educational activities.